The painting is part of Scheidly’s "Pink" series.
Scott’s "Pink" series features oil-based portraits of notorious male leaders and villains drawn in a belligerent, almost childish exaggeration of femininity.
"'The Pinks' explores the cultural and social implications of color and how the predefined notions that accompany these perceptions can alter one’s identity and subsequent world view. By incorporating either hyper-masculinized or historically infamous figures, Scheidly further drives the point home, making a mockery of his subjects though biting socio/sexual satire."
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