Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Friday, October 6, 2017

Link Round-Up: Blade Runner



4 Differences Between Deckard From Blade Runner and the book

A Blade Runner for our time: The 1982 film introduced a new vocabulary, inspired a generation

Alison Hammond of This Morning sat down with Harrison Ford and Ryan Gosling to conduct a playful interview with the duo about their upcoming film, Blade Runner 2049. Ford and Gosling could not stop laughing with the constant barrage of hilarious jokes going back and forth between them and Hammond.

Are Blade Runner’s Replicants Human? Descartes and Locke Have Some Thoughts

Thursday, May 25, 2017

Video Essay: Superhero Movies Get Old



Vlogger Evan Puschak of The Nerdwriter examines the superhero franchises and how the seemingly permanent infallibility of characters can become tiresome.  Puschak compares the satirical humor of Deadpool and the hopeless desolation of Logan.
"In the end Logan makes the final turn into reaffirmation one last act of sacrificial heroics that reaffirms the myth even after exposing it as inadequate. You know it makes me wonder if this is the limit of superhero movies. It’s unclear whether a film that sought to fully demythologize this myth could ever really get made or if the genre itself is even mature enough to handle such a thing"


Video Essay: Arrival — an Adaptation



Arrival was the most intellectually stimulating film to hit theaters of 2016.  Both epic and intimate, soulful and suspenseful, the movie was literary in way so few modern movies are.

In his latest video essay, Michael Tucker of Lessons from the Screenplay examines how Denis Vialleneuve's film departs from Ted Chiang's source material, Story of Your Life, transforming Louise's story from one of predestination into one of choice.

In the short story, Louise's daughter dies in a rock-climbing accident.  In the movie adaptation, she dies from an unpreventable illness.  In an interview on Jeff Goldsmith’s podcast, The Q&A, screenwriter Eric Heisserer explains “I think it’s more profound for me if she has a choice, if she has free will, and can change her future, and yet she chooses to have Hannah.”

The choice is a superb example of how adapting a story for the big screen can actually add depth, rather than gutting it.  Tucker elaborates on Heisserer's deft touch with an analysis of the movie's exposition and editing changed scenes, ultimately resulting in a more powerful narrative.


Wednesday, March 29, 2017

Video: Remix in the Matrix



The Matrix is a phenomenal movie.  The narrative value of the sequels might be debatable, but the first film makes the cut of the top ten best action films of all time, hands down.  Eclectic Method is back with a movie remix that will take you back to the nineties and make you want to dig your glowsticks out.


Tuesday, February 28, 2017

Video: Ghost in the Shell at the Weta Workshop



Adam Savage visits Weta Workshop to get up close with some of the practical props the effects studio made for the upcoming film Ghost in the Shell. Weta Workshop's Richard Taylor shows Adam the mechanical geisha masks and animatronic puppets his team created, and how Weta Workshop used new fabrication and design technologies to make these props possible.


Monday, December 19, 2016

Quick Pic: Die Hard Ornaments


Die Hard Ornaments
Source: Imgur via Reddit

"Come out to the coast, get together, we'll have a few laughs..."


Wednesday, March 16, 2016

Link Round-Up: 10 Cloverfield Lane

10 Cloverfield Lane by Ape Meets Girl


Interviews

CBR interviews Mary Elizabeth Winstead, star of 10 Cloverfield Lane.
Director Dan Trachtenberg explains why they changed the movie’s ending
Empire interviews J.J. Abrams, producers of 10 Cloverfield Lane.
Howard Stern interviews John Goodman, star of 10 Cloverfield Lane.
Reddit recently held an AMA for Dan Trachtenberg, director of 10 Cloverfield Lane
ScreenRant interviews Mary Elizabeth Winstead, star of 10 Cloverfield Lane.

Friday, February 12, 2016

Link Round-Up: Deadpool

Deadpool by Mike Mahle



Interview: Deadpool writers Rhett Reese & Paul Wernick on taking risks, & sequels

Interview: Deadpool's T.J. Miller Knows Exactly How To Answer Comic Questions

Interview: GQ Cover Star Ryan Reynolds on Filming Deadpool and Life as a Father

Interview: POP! exclusive interview with Deadpool

Interview: Ryan Reynolds & TJ Miller on Deadpool, marketing, Hugh Jackman

Interview: Yahoo Movies interviews Rhett Reese screenwriter for Deadpool.

News: Deadpool 2 Is Already in Development With the Original Writers

Friday, January 29, 2016

Video: Fury Road VFx



Visual effects studio Brave New World made a video showing exactly what they did to make Mad Max look so fantastic.


Video: Fxguidetv on Force Awakens



FXGuide has created a 50-minute documentary that follows host John Montgomery as he heads to Industrial Light & Magic in San Francisco and gives us an inside look at the incredible visual effects work that they put into Star Wars: The Force Awakens.
"Hear from ILM’s senior visual effects supervisor Roger Guyett, visual effects supervisor Patrick Tubach, animation supervisor Paul Kavanagh, environments supervisor Susumu Yukihiro, compositing supervisor Jay Cooper and asset build supervisor Dave Fogler as they run through key scenes from the film."

Video: The Martian VFX Breakdown



Of of all the Best Picture nominees, The Martian is unquestionably the geekiest, and it's also probably the movie with the widest audience appeal.  It's a dramatic but simple story with a stellar cast.  The real stars of the film are the special effects, though.   

With the Oscar nominations out, studios are beginning to circulate featurettes highlighting the technical complexity of their contenders.  This piece on The Martian separates out the practical effects from the computer generated setpieces.

On the practical side of things, they actually blew up part of the Mars base on set instead of doing it digitally.  On the CG side of things, the reflective visors on the astronauts’ helmets were created entirely in post.  Even the transparent portion of the glass was added digitally. 


Video: Opening Shots Tell Us Everything



Opening shots are underrated. I can almost guarantee that your favorite film has an opening shot that gives huge insight into the film's themes, character conflicts, or plot points.  Even though it may be forgotten by the time you’re done watching a movie for the first time, the opening shot of any movie is integral to introducing the audience to the world and/or characters they’re about to watch for a little while. Let's look at four in-depth examples to see just how revealing opening shots are.


Video: Every Best Picture. Ever.



Take a trip down Oscar history before the 88th Academy Awards with every Best Picture winner.


Tuesday, January 26, 2016

Lecture: The Essence of Humanity



Filmmaker Hayao Miyazaki detests being referred to as the Japanese Walt Disney. The legendary  animator has voiced his admiration for Disney's classic films, but he's frequently gone on record to criticize their lack of emotional complexity, the element of storytelling he prizes above all else.

Miyazaki's films may feature supernatural elements, but they center around human characters.  Miyazaki doesn't construct a film's plot until after he's figured out what desires drive his characters.  The director doesn’t believe in tidy, unearned endings, and choosing spiritual growth over wish fulfillment.

Such growth rarely happens without time for reflection, and Miyazaki films are notable for their frequent use of non-verbal scenes featuring characters performing the small rituals of everyday life. 

Bond’s documentary examines these moments and the emotional depths they lend Miyazaki's films.


Lecture: Kubrick In Color



Vimeo user Marc Anthony Figueras assembled this intriguing video examining director Stanley Kubrick's use of color in his films. Starting as a black & white photographer for Look Magazine, Kubrick’s first few films continued the trend, but after replacing Anthony Mann on Spartacus, he made the switch to color and never looked back. The director’s eye for fine detail incorporated the color spectrum in remarkable ways.
"Rishi Kaneria put together a brilliant supercut based completely around Stanley Kubrick's use of the color red.  You can watch that here: vimeo.com/112129153

After seeing that, I wanted to create a display of the whole color spectrum through most of Kubrick's films. I truly believe that color is one of the most powerful factors in someone's psychological build.  This video was solely made for the purpose of paying tribute to one of the greatest filmmakers of all time."

Monday, January 25, 2016

Lecture: Composition In Storytelling



Channel Criswell takes an in depth look at how directors compose their films.


Featurette: Fury Road VFx Breakdown



Brave New World has shared an amazing visual effects breakdown of how they helped to bring George Miller‘s beautiful film, Mad Max: Fury Road, to life.


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