888,246 Ceramic Poppies Surround the Tower of London to Commemorate WWI
32 fairly big things that were announced/presented/spawned at SDCC 2014.
How To Transform Recyclable Materials Into A Massive Street Art Protest
Matthew Cox is a Philadelphia- based artist who embraces and joins a variety of media to produce several thematic series of work. Medical x-rays and embroidery, couture and crime, rubber stamps, short -story prose and paint all layer toward a darkly comic and anachronistic impression of the human condition in the twenty-first century. My Modern Met has an interview with Cox.
Self-described collector of sounds and artist John Kannenberg records the sounds that echo through museums (usually thought of as spaces where silence is enforced) and creating works that "investigate the psychogeography of museums and archives, the processes of making and observing art, the psychology of collection, and the human experience of time." His most recent work is a sound map of the Art Institute of Chicago (ten minute excerpt at link).
These Aren’t Abstract Paintings, They’re iPhone Smudges
"When I saw Snowpiercer, I thought, they’re working. I’ve never seen a movie be more like a video game and work. Everyone I knew called it "BioShock on a train", which is good shorthand, because it means you know you can expect an apocalyptic dystopia, with class struggles drawn grotesque, confined to a failing industrial space. Boom! Video games' language is useful!"
32 fairly big things that were announced/presented/spawned at SDCC 2014.
How To Transform Recyclable Materials Into A Massive Street Art Protest
Matthew Cox is a Philadelphia- based artist who embraces and joins a variety of media to produce several thematic series of work. Medical x-rays and embroidery, couture and crime, rubber stamps, short -story prose and paint all layer toward a darkly comic and anachronistic impression of the human condition in the twenty-first century. My Modern Met has an interview with Cox.
Self-described collector of sounds and artist John Kannenberg records the sounds that echo through museums (usually thought of as spaces where silence is enforced) and creating works that "investigate the psychogeography of museums and archives, the processes of making and observing art, the psychology of collection, and the human experience of time." His most recent work is a sound map of the Art Institute of Chicago (ten minute excerpt at link).
These Aren’t Abstract Paintings, They’re iPhone Smudges
"When I saw Snowpiercer, I thought, they’re working. I’ve never seen a movie be more like a video game and work. Everyone I knew called it "BioShock on a train", which is good shorthand, because it means you know you can expect an apocalyptic dystopia, with class struggles drawn grotesque, confined to a failing industrial space. Boom! Video games' language is useful!"
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