Not willing to let
Fujifilm corner the market on 3D-printed fine art reproduction, Canon's
Océ Group, which is responsible
for developing the company's large format printers, is now collaborating with
Dutch researcher Tim Zaman and the
Kröller-Müller and
Rijksmuseum
museums in the Netherlands to accurately
duplicate famous paintings.
Zaman has developed a photographic scanning
system capable of capturing not just a high-res image of a
painting, but also critical details like brush strokes and
paint textures. The results are said to be extremely convincing.
There's no
doubt that 3D-printed fine art recreations are going to be a big
business, but they're also going to cause serious troubles for museums. Not only will convincing forgeries become more and more common, making it more common for museums to become the victims of fraud, but the increasing sophistication of these forgeries will make it increasingly more expensive to verify paintings, raising the cost of new acquisitions considerably. At the same time, with the exclusivity of paintings declining, interest in museums will slowly begin to decline, making fiscally difficult for museums to maintain the collections they already have.
It's just another example of forward progress at the cost of cultural values, not unlike the decline of physical books. On the other hand, who wouldn't want a Van Gogh hanging in their living
room?